In order to make the viewer feel that there are more things on the outside than on the inside of a painting, there are endless generalizations. If you make small things big, if you make small things small, you will make them big.
Some people often draw the main thing in the lower part of the paper, as if the picture has been cut in two, which is the taboo of composition. Wang Xuetao often suffers from this disease. Badashan people, Shitao never does.
The composition of the picture can be reversed. The mountain is clear and the water is beautiful. The top is the next big one, and the bottom is the next big one. The two parts are connected by some trivial things.
Small hard expansion is large, otherwise it will be empty; it is not allowed to change the large into small, or plug it forcibly.
Every time you take a picture, you only have seven or eight percent of the time to complete it. Then you nail it to the wall and look at it. If you wanted to draw enough, you would lose more.
Chinese painting should pay attention to the flavor of ink. The main spirit around all techniques can be color, not color. The use of color is only an auxiliary means. Today's people do not understand this truth, but painting is the best color, so what kind of painting?
Painting should be done well at the beginning, not when the painting reaches a good idea, the first stroke should be moderate. To be appropriate; point. No more, no less, no less, that is to say, always take the initiative. Otherwise, start interrupt, save anyway, assembly problem. In some people's paintings, the beauty of the painting is that they don't like to change their martial arts. Martial arts are not like changing coal. As a result, a group of black people in besmets come to solve the problem. That is to say, their hearts are innumerable. It depends entirely on the remedy and the diseases that increase while painting.
According to Cao Pi's literary theory, the drawback of writing is "you can't write without rest". If it's this disease, it's too complicated and has no connotation. Of course, one cannot imagine the effect of writing simply and profoundly. However, many painters have suffered from this disease. Guy didn't make it clear. A painting often fails in many ways, rarely because of short-term failure.
Pictures, first of all, must have a clear understanding of what the environment is, and then organize the landscape, the shape of the tree, the shape of the stone, and those paintings that put it, and those that don't.
Chinese painting can be roughly divided into three kinds of ink: first, splashing ink, second, breaking ink, third, accumulating ink. Ink splashing means painting with a lot of ink, rather than pouring ink onto paper. Writing begins with Joe Wang. There are two ways to cut ink: first weak, then strong (this method is easier), first strong, then weak (this method is more difficult). The most light is used in the thickest place. Contrast is also cut ink. To accumulate ink is to dry it to seven or eight, but it should be noted that if it is dry and then added, the effect is the same as painting on cooked paper, and it should be mastered skillfully. In order to facilitate the control of the effect, there is another picture that is wetted first and then added.
The "thick" of painting is the thick and deep interest, which is beyond the ink, not the black from painting. Thick, independent of pen, ink and color. The quantity of ink is infinite, limited, and the interest of art is infinite.
If the pen is a picture, it is not a picture. The pen is not a painting, it's calligraphy, it's a painting. The thickness of the line depends on the rhythm, not the image.
If a painting can be divided into calligraphy and combined into paintings for appreciation, it is a good work. But it's not easy.
Use grass to draw, but not all. Although painting and calligraphy are similar, they have their own methods. In painting, calligraphy is only material. Zhao Yao didn't realize this theory, so his painting was boring. Calligraphy into painting must be processed to become its own material. Art has its own blood.
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